AC DC: Back In Black (AC DC) by AC/DC


Entire lyrics, chords, and tune. comprises: again In Black, Given the puppy A Bone, Have A Drink On Me, Hells Bells, allow Me placed My Love Into You, Rock and Roll Ain t Noise toxins, Shake A Leg, Shoot to please, What Do you Do in your cash Honey, and the identify tune You Shook Me All evening lengthy.

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Comprises again In Black, soiled Deeds, Flick of the swap, For these approximately to Rock , Heatseeker, Hell AinÂ’t this sort of undesirable position to Be, Hells Bells, excessive Voltage,Highway to Hell, The Jack, permit There Be Rock, LetÂ’s Get It Up, challenge baby, Rock and Roll AinÂ’t Noise toxins, Rock nÂ’ Roll Damnation, contact an excessive amount of, What Do You Do for funds Honey, Who Made Who, and extra.

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Aside from their connection with the basic literary texts they have no great significance. If they were there merely to mark the cadence all compositions would be peppered with them; if merely a musical repeat were desired, the actual sign for repeat would be used. 37. ' Auffiihrungspraxls der Muslk (Potsdam, 1931-32), p. 126. THE NOTATION print vlth manuscripts. The following table presents variants noted, it being understood that in all cases note-shape3 are identical, only signatures differing: Petrucci Signature Odh 20 Odh 41 Signatures in Manuscripts C C 29 plain the use of this signature by Compere (in 'Garisses moy,' Odh 58), a pupil of Ockeghem and a most up-to-date and enterprising composer.

XV folia paplri xxxiil 8 i l i i 4 Eldem pro duplici grossaclone unius misse per Caron compilate et pro rcissa ex opere Johennis Fremiet l x S l ; (p. 201) '11*75. A Symon Mellet pour avoir eacrlpt et notte ee livrea de papier des estapliaux, une nouvelle messe et 1 magnificat de Bunoys, les lamentations de Obghuen, de Bunoys et Heniart v l i 1 ' ; (p. 203) 'A Jehan Vassal pour avoir cousu sur nerfe certains cahiers de mottes e t de magnificat estant es mains de Heniart pour les e n f a n t s .

14. For example, willi Apel in his book, Acetdentten und Tonalltat In den Musikdenkmalern des 15. und 16. Jahrhunderts fSammluni Muslkwlssenschaftllcher Abhandlunien, XXIV, Strasburg, 1936; also separate, Berlin, 1936). 22 HARMONICE MUSICES ODHECATON As we have seen, there is only one composition in the Odhecaton which closes on a minor triad (Odh 4 ) . This chord has to remain minor, since the progression of the voices precludes the use of the major third. The appearance of the 3rd in final chords of compositions is actually something new in the history of musical composition.

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