Adobe Photoshop Elements 3: Photographers' Guide by David D. Busch

By David D. Busch

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12 A great seat and a short telephoto lens provide this “big picture” view. 13 Cropping the image provides a telephoto effect. 14 This is the sort of picture you can expect to take 380 feet from home plate. 3 megapixels. 15. UNSHARP MASKING Unsharp masking is derived from a conventional photographic technique, and, despite its name, is used to sharpen images. The technique was first applied to images made on 4 × 5 and larger sheet film. In the darkroom, a film positive is made from the original film negative, a sort of reversed negative in which all the parts of the image that were originally black are black, and all the parts that were white are white.

Move the Radius slider to about 3 pixels and click OK to apply the blur. 38 Next, add some motion blur to the players 6. The relevant portion of your who appear to be running towards the left. 38. 7. Repeat steps 4 and 5, only paint over the entire body of the girl at the left side of the frame, to apply blur over her form completely. 39. 39 Finally, add overall blur to the girl at the far left to produce this final image. 44 Camera and Lens Effects in Photoshop Elements Keep in mind the dynamics of motion when applying blur.

CHOOSE MASK OR SELECTION In the Options bar you’ll find the Mode drop-down list that lets you choose whether the Selection Brush paints a selection or paints masked (unselected) areas. I usually choose to paint a selection, but the choice is yours. 22 Camera and Lens Effects in Photoshop Elements 4. Paint an area around the basketball using a soft, 100pixel brush chosen from the drop-down palette at the left side of the Options bar. Paint an area about 125 percent of the diameter of the ball itself.

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