By Clarice Lispector
Aprendizaje o El libro de los placeres, publicado por primera vez en 1969, despertó los angeles polémica entre los críticos, que aún hoy debaten sus posibles interpretaciones. Este es el relato de cómo el amor se forja en dos seres: a través de un arduo desnudamiento interno los protagonistas van recuperando su identidad hasta alcanzar l. a. renovación very important en l. a. mutua entrega. A su ejercicio introspectivo opone l. a. autora su propia búsqueda formal, el intento de superar los límites del estilo amalgamando forma y fondo en una prosa rebosante de imágenes que desarman al lector con su verdad hiriente. Su lectura ofrece a quien los angeles emprende el desafío de seguir paso a paso ese ahondamiento, ese despojarse de todos los bagajes para iniciar un definitivo aprendizaje de los angeles existencia.
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Clarice Lispector aveva diciannove anni quando fu pubblicato questo suo libro in Brasile. period una giovane ebrea ucraina, trasferita con i genitori, piccolissima, in the USA del Sud. los angeles critica brasiliana accolse subito l. a. Lispector con meraviglia, definendo questo libro «il nostro primo romanzo nello spirito di Joyce e Virginia Woolf» (Alvaro Lins).
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Shall she rouse herself to walk and shake her black head, and stretch her prodigious arms into the sky? She will arise. And man – man – poor idiot in his painted boat – down, down, down … she lies still, so still that her heart stops beating …. (“MS”, 91) The emphasis on the hugeness of the ocean’s breast infantilises the man lying upon this “tremendous bosom” and suggests a mother-child relationship. It is thus on the dead mother’s bosom that Mr Slaughterboard’s painted ship is stuck; it is the dead mother that waits to receive her child at the point where the story breaks off.
F. C. Hull [London: Routledge and Kegan Paul, 1954], 179). Julia Kristeva, Powers of Horror: An Essay on Abjection, trans. Leon Roudiez (New York: Columbia University Press, 1982), 3. “Kristeva’s use of the concept of jouissance is conceived essentially as the pleasure of an anarchic sexuality, a sexuality without a structured relation to an Psychoanalytic Perspectives 29 the absence of a psychological boundary between mother and infant. In exploring the child’s psychological task of separating from the mother, Kristevan theory turns away from the father-dominated Freudian and Lacanian versions of psychoanalytic theory towards an emphasis on the role of the mother in the child’s development.
R. F. C. Hull, 2nd edn (Princeton: Princeton University Press, 1967), 334. Sigmund Freud, “Delusions and Dreams in Jensen’s Gradiva”, in Jensen’s “Gradiva” and Other Works, The Complete Psychological Works of Sigmund Freud, trans. James Strachey (London: Hogarth Press, 1959), IX, 7. , 41. Julia Kristeva and Alain Nicolas, “Proust: ‘A Search for Our Time’”, in Julia Kristeva, Interviews (New York: Columbia University Press, 1996), 239. Jacques Lacan, “Seminar on “The Purloined Letter”, trans. Jeffrey Mehlman, in The Purloined Poe: Lacan, Derrida and Psychoanalytic Reading, eds John Muller and William Richardson (Baltimore: Johns Hopkins University Press, 1988), 37.
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